Bring Me The Horizon have put an end date on one of the most ambitious chapters of their career. The British band have confirmed that their upcoming run across Canada and the United States will represent “The Final NeX GEn Shows,” officially closing the live production and visual universe built around POST HUMAN: NeX GEn.
The run begins in Vancouver, moves primarily through Canada and then crosses into the United States for shows in Grand Rapids and, finally, Furnace Fest in Birmingham, Alabama.
The “end of an era” announcement does not come without warning. Oli Sykes had already revealed in 2025 that the band’s 2026 appearances would be the final shows connected to NeX GEn. Speaking to NME, the frontman described the production as the last iteration of the concept and said Bring Me The Horizon would need to step away from its current language before building whatever comes next.
That does not mean the end of Bring Me The Horizon or of the broader POST HUMAN project. Sykes has continued to discuss future installments in the series, even as the original release schedule has expanded considerably. What is ending is specifically the aesthetic, narrative and stage production built around NeX GEn — a world that transformed the band’s recent concerts into large-scale multimedia productions combining cinematic storytelling, cyberpunk visuals, digital mythology and the recurring presence of the fictional AI entity E.V.E.
POST HUMAN: NeX GEn arrived in May 2024 as the follow-up to POST HUMAN: Survival Horror. The album includes “Kool-Aid,” “DArkSide,” “LosT,” “AmEN!,” “DIE4u” and “Top 10 staTues tHat CriEd bloOd,” while pushing Bring Me The Horizon further into a collision of metal, electronics, pop, hardcore and digital experimentation.
The scale of the era was also captured in L.I.V.E. IN SÃO PAULO (LIVE IMMERSIVE VIRTUAL EXPERIMENT), the concert project filmed in front of roughly 50,000 fans and subsequently released theatrically around the world.
At the same time, 2026 has also found Bring Me The Horizon revisiting the opposite end of their history. In July, the band released Count Your Blessings | Repented, a newly recorded version of their 2006 debut that returned to the deathcore sound of their earliest years two decades later.
