Starting March 2020 we received in Mexico the return of Post Mortem Ejaculation (EPM), Spanish band member of the Holy Trinity of after punk from that country (along with The Butchers of the North and Kante Pinréliko). A special visit because the Iberian group this time came with its complete lineup and not only with a few members as on past occasions. The event was already a sold out announced so from the start and with the performance to warm up engines of Depressive Anphetamine, Bulbo Project and My Own Burial (Barcelona project of the drummer from EPM, “Guacho"), The answer was big. Then the girls from Bloody Benders they gave a discharge of horror punk to the rhythm of songs like "Riot" and "Crybaby"; Already with a full forum that celebrated each topic. After this presentation, everything would be ready on stage to receive the star band and the climax of the night was about to begin.
EPM Little by little he steps onto the stage with a macabre ritual entrance full of heresy, and one by one the musicians position themselves to the rhythm of "I shit in my fucking life", with Israel Pulkaos of Go rocker covered by a black shroud like an underworld monk as a guest singing their hate songs. Blasphemy is the favorite aphrodisiac of the night, singing songs such as "God hates me and I hate him" and "God is dead"; to continue with "Nights in White Satan": one of the most recently created themes of EPM and that in fact it was the piece to promote on his last visit in 2017. From the first songs, slam is present with everything and that is why songs like "I am a mental moron", "Long live death" and "Worms" with everything and its comical lyrics, they became true punk pitched battles in the center of the compound; and needless to say, "The bonfire" where the literal spirits burned in fire and the blows and shoves ended up scorching the forum.
It should be noted the fact that although the event was sold in its entirety, the organization of the show in charge of Bambam Records He sought that the capacity did not become overcrowded, so despite the fact that the Skull Cat He looked totally full there was no such feeling of extreme claustrophobia that had been present on past visits. That is why the dance continued with power to the rhythm of "I want to be a parish priest" and "Transylvania", with enough space to be able to move in relative comfort. It's hard to imagine how hot the members of EPM with their faces drowned in their bandages, being that the place enclosed a crushing heat of such degree that the evaporated sweat condensed on the ceiling and fell back to the people. "Singing under the rain" and the fruit-orgasmic "I know the semen to blackberry" They were then executed, with an audio it is necessary to say something deficient but that people seemed not to care because they had a passion and pulsations a thousand: something similar to when you ejaculate and that not even the most grotesque moaning can distract you from pleasure. "Christmas in the psychiatric hospital", "Requiem" and "I was a teenage Sadoréxica" were the melodies played next so that later with the dense and dark "You come in black and we return in gray" it will end on setlist planned by the band.
Despite the fact that on the set sheet this was the end of the presentation, EPM decides to give a few more drops of rotten semen, with a couple of extra songs: "Wire stripper" and "The spectrum analyzer". People are asking for more and actually crying out "Astroputas", a theme that each visit the audience has clamored for; and again and in how each visit the request is totally ignored. Even with that frustrated and repeated failed attempt, EPM he says goodbye to applause, finally making it clear that he already has a fan base that is large enough to think of a larger venue on his next visit.
[penci_review]
