Brutal and merciless carnage was what was experienced in the fourth edition of the Night Of The Living DEATH Fest with a demolishing triplet made up of The Faceless, Napalm Death and as a stellar act Cannibal Corpse.
The pavilion receives in the first instance The Faceless. Californians gave away a dose of their death metal experimental and technical with “Planetary Duality” and “Autotheist Movement”, both in the different parts that compose them, in addition to other successes such as “Legion Of The Serpent”. The Faceless It has always been a problematic project with constant ruptures, and as far as our country is concerned with a long history of cancellations and setlists incomplete; so it is quite an achievement to boast they gave a complete presentation at last and of very good quality. People enjoyed their show and even the band wanted to extend their act but for the times and out of respect for the other bands it was already impossible.
Despite how applauded he went The Faceless, You still couldn't breathe an aggressive atmosphere from an extreme metal festival; perhaps due to the complex and experimental nature of Michael Keene. But that would go to waste with brutality, with the arrival of Napalm Death.
The red lights of the enclosure are the framework for the declaration of “Multinational Corporations” be present as an introduction to “Instinct Of Survival”, that immediately activates the aggressive and battle mode of the assistants. Napalm Death está en la casa y pone al pabellón como un campo de batalla al ritmo de “When All Is Said and Done”, followed by the blow to the face which is the insane “Smash The Single”. “Deberíamos tener un mundo sin fronteras ya que todos somos iguales, todos somos seres humanos” Explain Mark Greenway before interpreting “The Wolf I Feed” and “Standarization”, while in the bass the unmistakable figure of Shane Embery It swings back and forth in a legendary way with that unique bearing in the world of metal.
“Vamos a tocar algo de nuestro primer álbum, seguro lo conocen” announces Mark Greenway before playing “Scum” that brings out the most violent of the fans in a moshpit giant where the blows and pushes increase in intensity. The masters of grindcore They are giving an unforgettable show that continues with “Life?”, “Victims Of a Bomb Raid” (Original from Anti Cimex), “Call That An Option?” and “Control” among others, so that later Napalm Death nos sorprenda tocando “You Suffer” and “Dead”… less than 5 seconds long between the two. “Suffer The Children” and the cover of “Nazi Punks Fuck Off” original of the Dead Kennedys They are putting an end to the presentation, which detonates in the last great moment of violence with “Siege Of Power” as a padlock.
Vamos a la mitad del evento y ya la gente está sudada y respirando de prisa por tanta adrenalina. Algunos tipos andan cabizbajos por la tremenda cantidad de celulares “bolseados” en este evento, cortesía de gente lacra y sin escrúpulos que solo entra a joder. Pero no hay chance de quedarse estático porque es momento de que Cannibal Corpse haga suyo el escenario. Los originarios de Buffalo no se andan con rodeos y de inmediato quieren dinamitar la pista con “Code Of The Slashers” , “Only One Will Die” and “Red Before Black”; and the pavilion becomes a branch of pain and violence with that start. “Evisceration Plague”, “Scavenger Consuming Death” and the classic slow and dirty start that then explodes in a massacre called “The Wretched Spawn” They are a delight for fans, and even a couple already show a leak of the vital liquid through their nose or between their teeth.
George Fisher makes your neck flap about the size of an average thigh to the rhythm of “Pounded Into Dust”, “Kill Or Become” and “Gutted”; and her long mane makes an eternal pinwheel that undoubtedly prints a beastly visual effect. The huge vocalist asks for a scream from the people but it does not satisfy him, and calling them pathetic he calls them to shout again and the answer now if it is noisy, so the already satisfied singer proceeds to continue with the setlist now with “Corpus Deliciti” and “Devoured By Vermin”. Who we have seen more than once to Cannibal Corspe We know is a group that has a strange vibe that always incites aggressive slams and a highly noticeable violent emotion in their fans. Proof of this is the monumental circle pit that is generated in the classic “A Skull Full Of Maggots” and it actually maintains its intensity in “I Cum Blood”.
“Suuuuuuuffeeeeeeeeer!” heartbreaking gut Fisher at the microphone, and the hymn to torture and infringing suffering is present with “Make Them Suffer”, although we suffer more but because we know the presentation is nearing its end little by little. However we still have time to enjoy a couple more classics with “Stripped, Raped And Strangled”; and finally the now classic bolt of pure brutality with “Hammer Smashed Face”. The presentation concludes with the already classic invitation of Cannibal Corpse to continue supporting the death metal, and we all left satisfied and drenched in sweat and blows.