Practically with a sold out in Plaza Condesa, the most legendary duo on the scene dark-electro (aggrotech) returned to their lands with an event that promised to be epic which was fully fulfilled.
First, the DJs prepared the atmosphere filling with melodies typical of the dark scene, giving a review of great themes, with which more than one dared to turn this forum into a dance floor.
The first band of the night, the natives of Oaxaca The bande-son imaginaire They burst onto the stage with a performance of political and musical satire, full of beats and violin chords in a bid to present something different, which initially puzzled the public but as it was understood, the response was very favorable to end with a good impression and with a great ovation.
He follow the duo Nfektado from McCallen Texas, featuring very classic beats from dark-electroHowever, it had no impact on the audience that was already eagerly awaiting the Mexicans.
Being 10 at night and with the spider logo of this band on the back of the stage brighter than ever, the atmosphere begins to feel anxious to see on the screens as if it were the beginning of a horror movie, hellish images begin to appear when Racso Agroyam on the consoles and immediately with a "how are we Mexico" Erk Aicrag, on the vowels to start hell with Scars, immediately with "Sexsick" and"I abomination", in themes that can be considered as the last successes of the band that check the energy this present and this to prepare to overflow energy with what is coming.
And that occurs with the first sounds of "Bite me" it seems that the plaza countess could be considered a prelude to hell: from front to back, from right to left, all the attendees recognize the song and jump into a frenzy.
This no longer stopped with "Welcome to evil" Decked out with the insane video clip of this same song and some "Fans" on shoulders like it's a festival EDM with the difference that at his feet was dementia in the slam.
Arrives Echoes and the singing at the top of our lungs and the choruses of this song flood the plaza, which moves Erk and Racso It is not aware of it, due to some technical flaws although minimal, they stress this electronic teacher a little.
The beginning of the climax of the concert occurs with "Distorted face" in which slam reaches its critical mass and no assistant stops dancing this powerful theme to continue this trend with the classic "Poltergeist". This combo of maximum octane tracks complements Dead trust
The scream continues on hearing the first tones of this hymn called "Forgotten Tears" to give a short break to energy, but without losing the tone of force of this concert. From the songs that can barely be heard live to this powerful duo is "Breaking off", from his album "Unbreakable Discedence" in which the fans of the old guard chanted nonstop and those of recent arrival were shocked by such energy from the atmosphere 100% dark-electro.
The phrase "My dogs are hungry" lets hear on the speakers of the countess's enclosure with the arrival of the "Times of Fury" to burn all the energy in the bodies of those attending this concert.
“No one will come out alive tonight! Who wants to go to hell with me? ” to verify a thesis it is necessary to demonstrate it, and for this the song is used Hell on earth to say that we were indeed in the musical hell of Hocico and boy, was it achieved with exciting and dark cadences of the audience.
Encore arrives and as it is well known in Mexico they would have to close with classic highs in Spanish "I hate under the soul" and "Sex under testosterone" intoned at the top of their lungs by over half the audience. With this, the concert ended successfully under the production of Isometric INC.
Although people exclaimed another song and hopefully Erk he goes out on stage just to remind us; “We don't care who you vote for next week, but whoever wins, don't forget that only you have the power. Long live Mexico bastards! ”
It was certainly a sign that Snout It is more current and consolidated than ever, meanwhile the dark people begin to disperse at midnight in the streets of the Roma and Condesa neighborhood.
PHOTOS BY: Laura Badzka
