{"id":21003,"date":"2018-10-10T17:17:27","date_gmt":"2018-10-10T22:17:27","guid":{"rendered":"http:\/\/summainferno.com\/?p=21003"},"modified":"2018-10-10T17:17:27","modified_gmt":"2018-10-10T22:17:27","slug":"brutal-night-of-the-living-death-fest-cuarta-edicion","status":"publish","type":"post","link":"https:\/\/summainferno.com\/en\/brutal-night-of-the-living-death-fest-cuarta-edicion\/","title":{"rendered":"Brutal! Night of the living DEATH fest fourth edition"},"content":{"rendered":"
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Brutal and merciless carnage was what was experienced in the fourth edition of the Night Of The Living DEATH Fest\u00a0<\/strong>with a demolishing triplet made up of The Faceless, Napalm Death<\/strong> and as a stellar act Cannibal Corpse.\u00a0<\/strong><\/p>\n

The pavilion receives in the first instance The Faceless.\u00a0<\/strong>Californians gave away a dose of their death metal<\/em> experimental and technical with “Planetary Duality”<\/em> and “Autotheist Movement”,\u00a0<\/em>both in the different parts that compose them, in addition to other successes such as “Legion Of The Serpent”.<\/em>\u00a0The Faceless\u00a0<\/strong>It has always been a problematic project with constant ruptures, and as far as our country is concerned with a long history of cancellations and setlists<\/em> incomplete; so it is quite an achievement to boast they gave a complete presentation at last and of very good quality. People enjoyed their show and even the band wanted to extend their act but for the times and out of respect for the other bands it was already impossible.<\/p>\n

Despite how applauded he went The Faceless,\u00a0<\/strong>You still couldn't breathe an aggressive atmosphere from an extreme metal festival; perhaps due to the complex and experimental nature of\u00a0Michael Keene.\u00a0<\/strong>But that would go to waste with brutality, with the arrival of Napalm Death<\/strong>.<\/p>\n

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The red lights of the enclosure are the framework for the declaration of “Multinational Corporations”\u00a0<\/em>be present as an introduction to “Instinct Of Survival”,\u00a0<\/em>that immediately activates the aggressive and battle mode of the assistants. Napalm Death<\/strong> est\u00e1 en la casa y pone al pabell\u00f3n como un campo de batalla al ritmo\u00a0 de “When All Is Said and Done”,\u00a0<\/em>followed by the blow to the face which is the insane “Smash The Single”. “Deber\u00edamos\u00a0tener un mundo sin fronteras ya que todos somos iguales, todos somos seres humanos”\u00a0<\/em>Explain Mark Greenway\u00a0<\/strong>before interpreting “The Wolf I Feed”\u00a0<\/em>and “Standarization”<\/em>, while in the bass the unmistakable figure of Shane Embery\u00a0<\/strong>It swings back and forth in a legendary way with that unique bearing in the world of metal.<\/p>\n

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George Fisher\u00a0<\/strong>makes your neck flap about the size of an average thigh to the rhythm of “Pounded Into Dust”<\/em>, “Kill Or Become”<\/em> and “Gutted”;<\/em> and her long mane makes an eternal pinwheel that undoubtedly prints a beastly visual effect. The huge vocalist asks for a scream from the people but it does not satisfy him, and calling them pathetic he calls them to shout again and the answer now if it is noisy, so the already satisfied singer proceeds to continue with the setlist<\/em> now with “Corpus Deliciti”<\/em> and “Devoured By Vermin”.\u00a0<\/em>Who we have seen more than once to Cannibal Corspe\u00a0<\/strong>We know is a group that has a strange vibe that always incites aggressive slams and a highly noticeable violent emotion in their fans. Proof of this is the monumental circle pit<\/em>\u00a0that is generated in the classic “A Skull Full Of Maggots”<\/em> and it actually maintains its intensity in “I Cum Blood”.<\/em><\/p>\n

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\u00a1Brutalidad y poder hasta morir!<\/div>
El Night Of The Living Death Fest en su cuarta edici\u00f3n nos regal\u00f3 una noche \u00fanica de death metal y huesos rotos, confirmando su status como uno de los mejores conceptos de m\u00fasica extrema<\/div><\/div>
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